The Mission Of The Fbi - 997 Words

The mission of the FBI is to protect and defend the United States against terrorist and foreign intelligence threats, to uphold and enforce the criminal laws of the United States, and to provide leadership and criminal justice services to federal, state, municipal, and international agencies and partners. It performs these responsibilities in a way that is responsive to the needs of the public and faithful to the Constitution of the United States. History of the Federal Bureau of Investigation Charles M. Smith Drury University Abstract The Federal Bureau of Investigation was established in 1908 as the Bureau of Investigation (BOI) in Washington D.C Investigation (BOI). Its name was changed to the Federal Bureau of Investigation (FBI) in 1935. The FBI is the domestic intelligence and security service of the United States. In this paper I will show the history of the FBI, the relevance of the bureau, the mission that the department has and just an overview of the inner workings of the department. The mission of the FBI is to protect and defend the United States against terrorist and foreign intelligence threats, to uphold and enforce the criminal laws of the United States, and to provide leadership and criminal justice services to federal, state, municipal, and international agencies and partners. It performs these responsibilities in a way that is responsive to the needs of the public and faithful to the Constitution of the United States. History of the Federal BureauShow MoreRelatedThe History of the FBI Essay1521 Words   |  7 PagesFederal Bureau of Investigation. The Federal Bureau of Investigation, also known as the FBI, is a corporation that seeks fidelity, bravery and, integrity for the United States of America. 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The War Of North Carolina - 1089 Words

While trying to retrieve some nephews from a British prison ship, Andrew s mother also fell ill and died. An orphan and a hardened veteran at the age of fifteen, Jackson drifted, taught school a little, and then read law in North Carolina. After admission to the bar in 1787, he accepted an offer to serve as public prosecutor in the new Meroe District of North Carolina, west of the mountains, with its seat at Nashville on the Cumberland River. Arriving in 1788, Jackson thrived in the new frontier town. He built a legal practice, entered into trading ventures, and began to acquire land and slaves. Jackson s rise in Tennessee politics was meteoric, attesting to his strength of character. In quick succession, he was a delegate to the state†¦show more content†¦(Biography.com editors 2016.) Andrew Jackson Election The United States presidential election of 1828 was the 11th quadrennial presidential election, held from Friday, October 31, to Tuesday, December 2, 1828. It featured a re-match between incumbent presidents John Quincy Adams, and Andrew Jackson, the winner of Electoral College in the election of 1824. . With no other major candidates, Jackson and his chief ally Martin Van Buren consolidated their bases in the South and New York and easily defeated Adams. The Democratic Party merged its strength from the existing supporters of Jackson and their coalition with some of the supporters of William H. Crawford (the Old Republicans) and Vice-President John C. Calhoun. Jackson was the first president whose home state was neither Massachusetts nor Virginia. The Tariff of 1828, also known as the Tariff of Abominations, had been signed into law earlier in the year, increasing tariff rates to above 60%. Though it had narrowly passed in the House, it was unpopular with the Southern states as they imported materials and goods from abroad. Jackson and the Democrats opposed the tariff, and the unpopularity of the bill led to a division of the vote into two main sections: the Northern, minority Adams vote, and the Southern, majority Jackson vote. Jackson also personally appealed to the

Aboriginal Spirituality Essay Example For Students

Aboriginal Spirituality Essay The aboriginals have lived in Australia for thousands of years. They had little outside contact until the British arrived two hundred years ago. The aboriginals have one of the oldest unchanged religions in the world. They believe in the Dreaming and respect the environment around them. This assignment will break the aboriginal religion into Smartys seven dimensions. Method logy The three SORE classes in grade II traveled to Challenge on the 3rd of May, 2006. On the way to Challenge we stopped at Tijuana which is an Aboriginal Cultural Park. At Tijuana we learned about aboriginal way Of life and history. After Tijuana we went to SST Stephens College, where we talked to some local elders. At Challenge we went to caves and saw aboriginal art work and artifacts. History Challenge was near the boundary oftener aboriginal tribes; the Washman, Waxwork and Duggan people. James Venture Mulligan was the first European person in the Challenge region; he found the Challenge- Palmer River gold field in 1887. William Thereon built a homestead in the area and called the area Challenge. A wealthy man named John Nonfat was interest in mining and found dative copper in 1887. By 1894 there were two smelters in Calcified and Managua, The Challenge central smelters was built by The Challenge Smelting Company It opened in 1901, smattering copper, gold and silver lead, The smelters finally closed in 1343. Today Shillelaghs industries are tourism, marble, minerals and cattle, Ritual and Practical The Aborigines used rituals to connect themselves to the Dreaming and to contact their ancestors. An example of one of these rituals is the corroboree. The corroboree is a ceremonial meeting Of Aborigines. At the corroboree the artisans are connected to the Dreaming through dances and music. At many corroboree the aborigines act out events from the Dreaming. They pass these rituals down from generation to generation. The custodians of particular sacred sites perform ceremonies at different times Of the year. Non Aborigines arent allowed to watch or participate in a corroboree. At Tijuana, they showed us how the aborigines would perform a corroboree. They showed was how to use aboriginal music instruments e. G. Didgeridoo and how to perform the dances Experiential and Emotional Dimension Aborigines believe that they are connected to the land. When they die the Aborigines believe that they become part of the land. If the land is destroyed, they believe they have lost apart of themselves. It is said that the Aboriginal people can communicate with their ancestor spirits through the land. The aborigines at Challenge believed that the caves contained evil spirits. They say that if you entered the caves you would not return. Mythological or Narrative Dimension The beginning of the world is described through dreaming stories. Each tribe around Australia has a different version on how the world was created. Most of the stories the aborigines told were about the world and why it is the way it is. At Tijuana they showed the Duggan peoples story of how the world was created. There were two elements that came out of a cassowary egg, The two elements were the Wet and the Dry. From the two elements all life forms were created. Also two brothers came, one was from the wet and one was from the dry. The Wet brother made things hard for the aborigines so they would be strengthened by the environment, While the Dry brother made things easier for the aborigines. The Wet brother then killed the DO/ brother. Then one day at a river the Wet brother was killed by a crocodile, one Of his creations. Doctrinal and Philosophical Dimension The aborigines got their laws from the Dreaming. The elders teach the younger aborigines about the laws the Dreaming and to live in harmony with the land, follow the laws and have respect for everything. The elders addressed issues within their tribes so they didnt fight amongst themselves. Totems were a fundamental part of Aboriginal life. The totem is normally an animal but it could be a sacred landmark or plant. An aboriginal is given their totem when they are born. .u441dbfe18ba92e91ffb80783aeb7aaf3 , .u441dbfe18ba92e91ffb80783aeb7aaf3 .postImageUrl , .u441dbfe18ba92e91ffb80783aeb7aaf3 .centered-text-area { min-height: 80px; position: relative; } .u441dbfe18ba92e91ffb80783aeb7aaf3 , .u441dbfe18ba92e91ffb80783aeb7aaf3:hover , .u441dbfe18ba92e91ffb80783aeb7aaf3:visited , .u441dbfe18ba92e91ffb80783aeb7aaf3:active { border:0!important; } .u441dbfe18ba92e91ffb80783aeb7aaf3 .clearfix:after { content: ""; display: table; clear: both; } .u441dbfe18ba92e91ffb80783aeb7aaf3 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u441dbfe18ba92e91ffb80783aeb7aaf3:active , .u441dbfe18ba92e91ffb80783aeb7aaf3:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u441dbfe18ba92e91ffb80783aeb7aaf3 .centered-text-area { width: 100%; position: relative ; } .u441dbfe18ba92e91ffb80783aeb7aaf3 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u441dbfe18ba92e91ffb80783aeb7aaf3 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u441dbfe18ba92e91ffb80783aeb7aaf3 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u441dbfe18ba92e91ffb80783aeb7aaf3:hover .ctaButton { background-color: #34495E!important; } .u441dbfe18ba92e91ffb80783aeb7aaf3 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u441dbfe18ba92e91ffb80783aeb7aaf3 .u441dbfe18ba92e91ffb80783aeb7aaf3-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u441dbfe18ba92e91ffb80783aeb7aaf3:after { content: ""; display: block; clear: both; } READ: Taming Of The Shrew (1094 words) EssayFor the rest toothier elite they are not allowed to hurt, kill or eat their totem. Ethical and Legal Dimension The Dreaming shaped the rules for their ceremonies and everyday life. If an Aborigine went against these rules they were punished. The elders decided what the punishment should be. Some punishments were banishment, death and physical damage If an aboriginals punishment was a spear through his leg and he survived he was allowed back into the tribe again. At Marimba, one of the talkers explained about how the elders role is to teach he next generation about the beliefs and to make sure they follow them. The elders are also considered guardians and have certain responsibilities. There job is to look after and protect certain sacred areas and make sure it is not disturbed by outsiders. Social and Institutional Dimension The kinship Of the aborigines was a network Of relationships that governed and interacted been members of a tribe. The elders were the authority and the tribe looked to them for advice. The men were the hunters which caught the large game while the women were the gatherers which gathered the fruit ND other small foods, they also cooked the meal An Aboriginal was given a totem when they were born. The totem was normally an animal, They had responsibilities and laws which they had to uphold. An example of this not to harm, kill or eat their totem. If they broke the laws and responsibilities they were punished. Marriage was an important aboriginal ceremony. An aboriginal wasnt allowed to marry a person that was of the same totem and true love was against the law. Material Dimension The aborigines didnt have any buildings but they had sacred sites and artwork. They used sculptures, bark and rock paintings to express what they believed in. To paint the aborigines had to trade with other tribes to get different color ochre if they couldnt get them in their own area. The art Of the aborigines was an important way for them to communicate and tell stories between each other. Only recently White people have called aboriginal artifacts and images art. They made didgeridoos to express their beliefs through music. They used the didgeridoo in ceremonies and used it to imitate animals so they could celebrate the environment around them. Only men were allowed to play the didgeridoo. The aborigines had different sacred sites for each tribe. An example of a sacred site to the Challenge aborigines was the Bogey Hole. The reason the Bogey Hole was sacred to the Challenge aborigines is because it provided them with water all year round. Conclusion The trip to Challenge has given me a better understanding into aboriginal society and how they used to live, It was good to learn about there religion because it is one of the oldest religions in the world. I think that we should all treat the environment like the aboriginals and we all could learn a thing or two from them.

The Presentation of Women in Othello Essay Example

The Presentation of Women in Othello Paper Shakespeares portrayal of Desdemona, Emilia and Bianca in Othello comes, generally, in two forms which reflect the prevailing opinion of women in Elizabethan times as mysterious and angelic or, whores, determined to cuckold their husbands. When Othello was written a patriarchal society was the norm. Women had clearly defined roles, as housewives and mothers; they were viewed as inferior, not only physically, but also emotionally. It was thought that they needed a male to protect them, if they were married this responsibility would fall to the husband and if the woman were single, it would be the duty of her father or another male relative. References to any of the three women, Desdemona, Emilia or Bianca, by the other characters, seems always either to praise them for their virtue and beauty, or else condemn them as whores that manipulate men to achieve their own ends. All three are rejected by their respective partners/husbands; they love them almost unconditionally, even when confronted with indifferent and callous behaviour. They are engaged in unbalanced partnerships: they feel more for their self-centred men than the men are capable of reciprocating. Bianca serves to represent the latter of the two opinions; she is a courtesan in Cyprus (Tis such another fitchew IV. i. 145). She is a contrast to Emilia and Desdemona as she is not a part of the domestic world in which they belong; this immediately casts her from the kind of femininity that Desdemona is said to possess. She has fallen in love with Cassio and pursues him quite wholeheartedly, however her affections are not returned (But that you do not love me. III. iv. 197), and she is eaten by jealously (O Cassio, whence came this? This is some token from a newer friend! III. iv. 180-1), Cassio and Iago dismiss this as her unruly nature and respond to her in a patronising manner (Go to, woman, / Throw your vile guesses in the devils teeth / From whence you have them! III. iv. 183-5). We will write a custom essay sample on The Presentation of Women in Othello specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on The Presentation of Women in Othello specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on The Presentation of Women in Othello specifically for you FOR ONLY $16.38 $13.9/page Hire Writer She is thought by the men to be a sexual being with a tempestuous nature, in need of control and unworthy of regard (What do you mean by his haunting of me? IV. i. 146). Bianca is held with disdain by men for her explicit sexuality, whereas Cassio, who is committing adultery (A fellow almost dammed in a fair wife I. . 20), receives none. This is a good example of the double standards that existed for women at this time, some of which can still be seen in the modern day, it being more socially acceptable for a man to be promiscuous than a female. Emilia is the representation of the dutiful wife, she is part of the domestic world in which Othello takes place, her marriage is neither happy nor successful, and yet she continues to try to please Iago (for example, by giving him the handkerchief). Iagos treatment of Emilia is very poor; he belittles her continuously throughout the play (Sir, would she give you so much of her lips / As of her tongue she oft bestows on me / Youd have enough II. i. 100-3), with little or no protest on her part. He also suspects her of having an affair with Othello (I hate the Moor / And it is thought abroad that twixt my sheets / Hes done my office. I. iii. 385-7), there is no proof in the text that for this, he does not ask her openly in the play about it and it seems to be a rumour that Iago is merely using for the justification of his actions. Emilia is all too aware that Iagos behaviour towards her is undeserved, she explains to Desdemona in Act 5 how women often suffer this treatment, and what happens as consequence (Then let them use us well: else let them know, / The ills we do, their ills instruct us so. V. 1. 101-2), this suggests to the audience that although women were legally and religiously bound to a subservient position, not all women behaved in a subservient way. In the final scene Emilia is quite prepared to reveal Iagos deceit, however, interestingly, she is fully aware that she is not, by social convention, supposed to, she actually apologises to those present when she disobeys him (Good gentlemen, let me have leave to speak. / Tis proper I obey him but not now. V. ii. 192-3). This disobedience does not pass without penalty, Iago stabs and kills Emilia, proving to the audience just how unbalanced their relationship was. Desdemona is spoken of by the other members of Othello as saintly, kind and virtuous, Cassio goes so far as to describe her as She is indeed perfection (II. ii. 25), and indeed, in Elizabethan times, if a women was not viewed as a whore, she was likely thought to be angelic (Queen Elizabeth I, for example). Shakespeare however was able to characterise women as real people, and take them from their pedestal. The character of Desdemona is often criticised as being weak and mono-dimensional, however in addition to being chaste, loving and virtuous, she is also articulate, stubborn, passionate, practical, and sexually aware. Many of these traits are shown in one of the few moments in the play we meet Desdemona without Othello, in Act II, scene I. She fully understands Iagos innuendos and is able to challenge him (Come on, assay. II. i. 120) in a witty and articulate manner. Desdemonas independence is portrayed explicitly by the fact that she married Othello without her fathers permission (Your daughter, if you have not given her leave, / I say again, hath made a gross revolt, I. i. 131). Women were viewed as a commodity, and marriage as more of a business transaction than union of lovers (Faith, he tonight hath boarded a land carrack: / If it prove lawful prize, hes made for ever. I. ii. 50-1). The opinion of women as the property of men is again illustrated when Iago calls to Brabantio that he has been robbed Look to your house, your daughter and your bags! (I. i. 79), that a person could be grouped alongside a house and money seems shocking in a modern western society, but was obviously the social norm in Shakespeares time as Brabantio takes no offence from that statement. Desdemona is aware of her duty to her father (To you I am bound for life and education: / you are the lord of duty I. iii. 183-5) and that now she is married, her obedience falls to her husband (I may profess / Due to the Moor my lord. I. iii. 188-9), the independence which Desdemona has shown is not seen as acceptable by her father who wishes to have control over her (and in his mind, so he should she is his property) Fathers, from hence trust not your daughters / minds / By what you see them act. I. i. 167-9) and later in the play, the extent of which she is submissive to Othello is stark contrast to these earlier actions, showing the multiple facets of Desdemonas personality, bound by traditional values yet independent minded and willing to support such non-conformist ideas (for the time) as racial equality. Iago is a misogynistic character, he is incapable of viewing women as anything other than worthless nymphomaniacs and when referring to them in Othello it is always with a debauched tone You rise to play, and go to bed to work (II. i. 115). He cannot believe that Desdemona could possibly love Othello and when talking of the couple does it in the most debasing manner (Even now, now, very now, an old black ram / Is tupping your white ewe! I. i. 7-8), always with sexual inferences and often with reference to animals, believing their love to be no more than lust whereof I take this, that you call / love, to be a sect or scion. (I. iii. 331-2). A good example of Iagos firm opinion of Desdemona can be seen in a conversation with Cassio who believes Desdemona to be saintly, Shes a most exquisite lady, And Ill warrant her full of game (II. iii. 17-18). Although Iago may have an extreme opinion of women, it was not too dissimilar from that of other men in the play. Men felt that there was something mysterious about women which they could not understand, they inhabited a different world, the domestic world of house and home, and a more physical world (eg. pregnancy, menstrual cycle) than men. It was felt that they were dangerous, temptresses who would lead them astray, needing to be controlled. The women of Othello do not always conform to the norms set by male opinion, but they are often constrained and held back because of them, and the mens fear that they will disobey sets the scene for much of the tension within the play, resulting in the many tragic deaths.